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		No. 39 - 
				The Valley of Gwangi (1969)Charles H. Schneer Productions, 
Warner Bros.-Seven Arts
 Cowboys Battle Monsters in the 
		Lost World of Forbidden Valley!
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The Valley of Gwangi (1975), 
				DML Rating: 
★★★★★★★★★☆ 
- near perfect Director: Jim O'Connolly; 
		Screenplay: William Bast, Julian More, 
		Willis O'Brian; 
		Rated Approved Starring: James 
		Franciscus, Gila Golan, Richard Carlson, Laurence Naismith, Freda 
		Jackson, Gustavo Rojo, Dennis Kilbane, Curtis Arden Movie Introduction: In old Mexico at the turn of the 
		century, a wild west show is looking for new ideas. The beautiful 
		T. J. Breckenridge (Golan) has found a new attraction, a living miniature 
		horse (a prehistoric Eiohippus), whose origin is a hidden place called the Forbidden Valley. 
		Tia, a 
		gypsy woman demands that the horse be returned, but the West Show 
		refuses.  Later that evening, the gypsy's servant frees the animal, 
		and it heads for the distant Valley. Along with her 
		former boyfriend Tuck Kirby (Franciscus), and a British paleontologist 
		Sir Horace Bromley (Naismith), T.J. and the show's wranglers venture out 
		to recapture the
		dawn horse. 
		It leads them into the Forbidden Valley. There, to their astonishment, 
		they encounter 
		oversized lizards - dare we say, 
		living dinosaurs! The cowboys barely escape with their boots, as a 
		sharp-toothed Allosaurus crashes through the hidden entrance knocking 
		himself unconscious. The gypsy calls him Gwangi, the evil one. They 
		believe that taking Gwangi from the Valley will bring a curse upon all 
		those involved. The cowboys ignore this advice and decide that Gwangi is 
		the new main attraction they have been looking for. What could go wrong, 
		right? 
		 
		 Defining Moment: 
		Gwangi's valley After clearing the hidden cave entrance 
		to be large enough for horses, the cowboys slide through and enter the Forbidden 
		Valley in search of the missing Eiohippus. Suddenly an 6-foot Ornithomimus 
		appears, and the riders give chase. As the creature almost escapes, a 
		much larger Allosaurus 
		springs onto the screen and clamps its gigantic jaws down on the smaller dinosaur, 
		crushing and devouring it. 
		This stops the startled riders dead in their tracks. This amends their 
		plan to "Let's get the hell out of here!" NOTE: Steven Spielberg paid homage to 
		this scene in 
		Jurassic Park 
		(1993), when the T-rex bursts on the screen 
		and chomps on one of the fleeing Gallimimus.     
		Something subtle you might have missed:  jurassic 
		chameleon One negative thing critics always point 
		out is that our titular dinosaur baddie changes color throughout the film. 
		And well, he does. At one point he's blue. Then he's muted gray. Finally 
		he's kinda greenish.  Perhaps you would not have noticed it hadn't 
		I said anything. I frankly don't care. I never noticed it until I read it 
		in a review. So my best advice, just ignore it. Maybe someday, using the 
		wonders of technology, they will fix that little imperfection.    Memorable Quotes: 
		 "This circle of mountains, 
		jagged peaks, steep cliffs, could be the perfect barrier against man and 
		the elements." - Professor Bromley "He who takes from Gwangi 
		the evil one is cursed." – Tia Zorina, the gypsy woman 
		 Dad's Review: Years before Crichton and 
		Spielberg gave us 
		Jurassic Park 
		(1993), the great Ray Harryhausen (from 
		a story by Willis O'Brien) put together this wonderful fantasy where 
		dinosaurs and men are thrown together in the Old West of Mexico in 1885.
		 In my ten-year-old mind, this 
		film was my holy grail.  I loved Westerns. I loved dinosaur films, and I watched all 
		that I could (see the list below). THIS WAS BOTH! We lived in El Paso at the time, and my friend Mike and I would 
		pretend we were on horse back and "ride" through the desert behind my 
		house. We were cowboys in the Forbidden Valley. Gwangi would chase us, 
		and we'd barely escape with our lives... that was so much fun! The creatures here were created using stop-motion animation. 
		A simple explanation of the process is that you take a picture of the 
		subject, which is a miniature model made of flexible plastic or clay. 
		Then you move the model slightly and take another picture. When you play 
		the pictures in succession, at a faster speed, the model appears to  
		move, to come to life. Ray Harryhausen was the master of this technique.  I realize that 
		by today's CGI 
		standards the creature movements seem a bit choppy. However, I still 
		think it is amazing to watch. Just think of the mastery and patience it 
		would take to create those scenes! To this day, when the cowboys rope 
		Gwangi, I am in awe. It is a near perfect combination of stop motion and 
		live actors - it stands up today against any CGI out there! That's my 
		story and I'm sticking to it! Another favorite scene is Gwangi's 
		escape and battle with the circus elephant. (see the full scene on
		
		YouTube) I can't mention this film with 
		recognizing the Mexican boy, 
		Lupe. He's about ten years old. His presence in the film is priceless. He 
		is the only one who sees Gwangi as the creature he is, not a monster or some prize to be 
		captured and displayed. At the film's end, when Gwangi meets his fiery fate, 
		Lupe cries. So do I.
		Every. Time.
		 For for your film enjoyment... Top early Dinosaur films, excluding, Gwangi.   
		Onto No. 40... The Unlucky Combatant     |