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		No. 2 - 
		Dances With Wolves (1990)Tig Productions/Majestic Films Intl., Orion Pictures
 Inside everyone is a frontier 
		waiting to be discovered.
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				Dances With Wolves (1990), 
				DML Rating: 
				★★★★★★★★★★ 
				- perfect Director: Kevin Costner; Screenplay and novel by Michael Blake,
		
		Rated PG-13 for frontier violence Starring: Kevin Costner, Mary 
		McDonnell, Graham Greene, Rodney Grant, Floyd Red Crow Westerman, Tantoo 
		Cardinal, Jimmy Herman Movie Introduction: 
		After an unintentionally heroic deed during the Civil War, Lt. John 
		Dunbar (Costner) heads west, astride his trusted mount Cisco. He is 
		assigned duty at Fort Sedgwick on the American plains. 
		He arrives to find the desolate fort deserted. While there, he develops a 
		relationship with a lone wolf that he calls "Two Socks". He also starts 
		communications with a nearby tribe of Sioux Indians, more specifically "Kicking 
		Bird" (Greene) and "Wind In His Hair" (Grant). Attracted by the 
		simplicity of their lifestyle, and sheer loneliness, he chooses to spend 
		more and more time with them. Having observed his behavior with Two 
		Socks, the tribes now calls Dunbar "Dances With Wolves". Soon he 
		becomes a 
		trusted member of the tribe. He also falls in love with his translator "Stands With A Fist" 
		(McDonnell), a white captive girl who was raised by the tribe as their 
		own. Soon Union 
		cavalry soldiers arrive at the fort, they are incensed that Lt. Dunbar has 
		become an ally with the natives.  
		 Defining Moment:  
		buffalo hunt When the buffalo herd 
		finally returns, members of the Sioux tribe, 
		along with Dunbar, follow the massive beasts, looking for the right moment to 
		harvest the buffalo they will need for their survival. The hunt is a breath-taking 
		segment from start to finish. Riders run down the great plains creatures 
		at full speed, loosing their arrows, casting their spears. You cannot 
		watch this scene without being overwhelmed by its shear power. This film 
		segment, set to a haunting, epic soundtrack, is like peering back in 
		time to witness a ritual our eyes will 
		never see. (watch it on
		
		YouTube) 
		Something subtle you might have missed:  
		grazing grass Early in the film, when John 
		Dunbar finally reaches the prairie, he walks out into the high grass and 
		outstretches his arms to feel the tall stalk heads graze his 
		fingertips. This is a man of deep thought.  A few minutes later, we 
		are also introduced to Sioux medicine man, Kicking Bird. Like Dunbar, he 
		is 
		walking through the tall grass, arms outstretched. This 
		small commonality immediately links the two men. Despite their 
		vast differences, they have a shared inner thoughtfulness, and a basis upon 
		which to build a connection. 
		Memorable Quotes: 
		 "I’ve never known a people so 
		eager to laugh, so devoted to family, so dedicated to each other.  And, 
		the only word that came to mind was harmony." - John Dunbar "I was just thinking that of all 
		the trails in this life there is one that matters most. It is the trail 
		of a true human being. I think you are on this trail and it is good to 
		see." - Kicking Bird 
		Dad's Review: Many classic Western films 
		traditionally follow a similar formula. This was contrived by Hollywood and 
		helped create part of what is known as the "Western myth". Many of these films 
		were shot with Monument Valley as their scenic backdrop. 
		 
		 These 
		Westerns centered on the 
		quiet, honorable loner, who could take care of himself. He was usually 
		running from something in his past and was deadly accurate with a 
		six-shooter pistol. Cast in this role were always handsome white actors 
		such as John Wayne, Jimmy Stewart, Gary Cooper, Joel McCrea, Glenn Ford 
		and Randolph Scott. With my Texas heritage, of course, I loved these 
		movies (and mostly still 
		do), especially films with Wayne and Stewart. 
		Native Americans were almost always 
		the films' antagonists – the colorful, yet 
		impersonal danger, always savagely attacking the innocent settlers and 
		their wagon trains. The injuns, as they were referred to, were killed with no more remorse than swashing an ant. 
		 The audience was shown lots of action, some 
		cheeky romance, and a nice, dependable ending, 
		where our hero rides off, his job done, leaving may broken hearts to ponder his 
		future.  
		Dances With Wolves has very 
		little in common with these old Westerns. It takes us in a different 
		direction, and changed how I look at Westerns (and really all 
		films). We FINALLY have a movie that chooses to portray a more honest perspective of the American frontier. Native Americans 
		are 
		seen as they really lived. Their characterization is fleshed 
		out. In some ways, the film feels like we are watching a well-made documentary.
		
		 
		Kevin Costner found Michael Blake’s wonderful story and decided it 
		was time to finally put the truth on screen. That truth being the 
		genocide of the Native Peoples who populated our country before white 
		expansion. Yes, that same expansion which is a deep part of my own 
		family's heritage. Thank you Blake and Costner - for having the courage 
		to tell the story avoided by past and most high school history books. 
		 In the film 
		we see all angles and conflicts: settlers, brutal soldiers, murderous 
		warriors. From all this, a friendship arises between one man, feeding 
		his need to explore the vanishing wilderness, and another man, trying to 
		face the unbearable truth 
		of this tribe's inevitable demise. 
		
		Finally, this film explores what it means to be savage. It also 
		asks, "Who is more 
		savage?" 
		American cinema, and "the victor's" version of history, has conditioned us to see Native Americans as 
		the villains. Are you good with that? I'm not, and honestly never have 
		been.  
		 
		This film shows us a more accurate perspective. The 
		Native Peoples were just that - people, just like you and I. They loved, 
		danced, fought, raised children, defended their families, even created 
		councils using many principals of democracy we adhere to today. 
		 
		It's high time we acknowledge that many 
		of the American West's horrible acts were perpetrated by a treaty-breaking government, greedy white settlers, 
		and racist murdering soldiers. These "fine people" took without asking, murdered 
		without cause, lied with impunity, destroyed everything in their path, and caused endless suffering. 
		 Who was more savage? Such 
		is the shame of one chapter in my country’s history. 
		   
				Onto No. 3...Rescuing Personal Gosling                 
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