| Valdez Is Coming
				(1971),
				Director: Edwin Sherin, rated PG-13 for violence, 
				language 
				They tore his 
				body. They buried his pride. But they forgot his old uniform, 
				his Sharps rifle, and his Buffalo gun. Find Tanner, El Segundo, and the 16 others. And tell them Valdez 
				is coming.
 
				
		  Starring: 
Burt Lancaster, Jon Cypher, Susan Clark, Frank Silvera, Richard Jordan, Barton 
Heyman, Hector Elizondo, Phil Brown, Ralph Brown, Werner Hasselmann, Lex Monson 
				DML Rating: 
				★★★★★★★★☆☆ 
				- great "You know 
				something? I would have liked to get $100 for that Indian woman." - 
				Bob Valdez 
				Why watch this? It's 
				beautiful to look at, and Burt Lancaster, stoic and capable, 
				carries the day. 
				Plot Summary:  
				Mexican Bob Valdez is a humble public servant, serving as 
				constable in a small border town. When an altercation, involving 
				rich rancher Frank Tanner, results in Valdez's killing of an 
				innocent man, Valdez approaches the town's council for the 
				victim's pregnant Native American widow. The council agrees to 
				donate $100, if Valdez can get Tanner to donate the same amount. 
				When Valdez rides to Tanner's presidio fortress, pleading for 
				the donation, Tanner rudely refuses. He then commands his band 
				of Mexican thugs to beat and lash Valdez to a wooden cross. 
				Laughing, they send him walking through the blazing desert to 
				certain death. What they don't realize is that Bob Valdez is a 
				tough-as-nails ex-Calvary scout and Indian-fighter. He's also an 
				impressive marksman who can drop a buffalo at over 1000 yards. 
				Dad's Preview: 
				In my unofficial series called "White 
				lead actors who portray brown men in Westerns" (Chato's 
				Land (1972) and 
				Hombre 
				(1967)), Burt Lancaster and director Edwin Sherin bring the 
				1970 novel by
				
				Elmore Leonard to brutal life. In the '70s, Westerns like 
				this were edgier - more sex, bad language, violence. At age 
				nine, I first viewed this at a seedy El Paso drive-in, with my 
				much-older sister. It is classified as a paella (as 
				opposed to spaghetti) Western because even though it was 
				shot in Spain, it's an American produced/directed movie. This 
				oater has action, villains-galore, memorable quotes, and the 
				Western ending that, I must say, is perfect in its uniqueness.  
				 Norlan 
				Productions, Ira Steiner Productions; United Artists
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