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No. 44 -
The Thing (1982)
The Turman-Foster Company, Universal
Pictures
Man is the warmest place to hide. |
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The Thing (1975),
DML Rating:
★★★★★★★★★★
- perfect
Director: John
Carpenter;
Screenplay: Bill Lancaster; based on the novella Who Goes
There? by John W. Campbell Jr.;
Rated R for language, gory, gooey violence
Starring: Kurt
Russell, Keith David, Richard Masur, Wilford Brimley, T. K.
Carter, Richard Dysart, David Clennon, Charles Hallahan, Peter
Maloney, Donald Moffat
Movie Introduction: In
remote, frozen Antarctica, a group of American research scientists are disturbed
at their base camp by a helicopter pursuing, and shooting at, a runaway
sled dog. When the dog runs into camp, the Norwegian copter explodes,
killing the men aboard. The dog seems harmless enough. When men start
dying, it's up to a resourceful helicopter
pilot, the team's scientist and doctor to uncover what's happening. They
quickly realize that there is a deadly thing in their midst, a creature
that can take over the men, imitate them perfectly, and eventually accomplish its
goal - to spread to more populated areas.
Defining Moment:
bad dog
The new dog is immediately befriended by Clark who cares for
the base’s own sled dogs. The docile Husky is taken to the kennel with the
others. It slowly walks to the center of the room and sits
down, starring at the back wall. Suddenly it starts to shiver and quake.
When they
hear
the ruckus, everyone descends upon the kennel, and it’s a sight they have never seen
before. It’s hard for me to describe even now, but I knew instantly that this
film would be one of my all-time favorites.
Something subtle you might have missed: spaghetti
soundtrack?
Director John Carpenter wanted
Ennio Morricone to write the film's soundtrack. He was a huge fan of the
famous Italian composer's music from the iconic spaghetti Westerns, and
he even had Morricone music played at his wedding! Ennio agreed to the
job and worked up several musical segments for the film, based on what he thought
Carpenter would like, especially after listening to the soundtrack from
Escape From New York
(1981), which was solely scored by Carpenter,
himself a talented keyboard player. Well, Carpenter, a perfectionist who knew exactly what he wanted, would end up using only about 20 minutes of
all of Morricone's submitted work.
However, that 20 minutes is the main theme that we all associate with the
film.
Memorable Quotes:
"You see, what we're talkin'
about here is an organism that imitates other life-forms, and it
imitates 'em perfectly." - Blair
"If it takes us over, then
it has no more enemies, nobody left to kill it. And then it's
one." - MacReady
Dad's Review:
It is
wonderful in movie-making when a great director finds the ideal actor,
and they are smart enough to capitalize on it. I think of
Capra-Stewart, Ford-Wayne, Scorsese-De Niro, Burton-Depp. It's the same
with John Carpenter and Kurt Russell. They blew audiences away with the
post-apocalyptic
Escape From New York
(1981). The Thing, a mere
year later, continued Russell's tough-guy image make-over. Their last
great film was the
wonderful
Big Trouble in Little
China (1986) - Russell's over-confident Jack T. Burton is still one of
my favorite characters.
Both had
experienced some success in the movie business, and both wanted to make
thought-provoking films that would change their images. Well, their
relationship accomplished that and their fortunes were changed. One would be
catapulted to mega-stardom, and the other would lose
his confidence and almost go broke.
This
film's setting is the bleak frozen North. You will quickly understand
that the remoteness has every man on edge. A dangerous alien creature
invades their camp and begins its process to
overcome them, one by one. The assimilation is bloody, terrifying
and absolutely fatal to the host. The film's sense of claustrophobia is
palpable, as the thing attacks.
Similar to
Hitchcock's
Lifeboat
(1944), the men quickly begin to understand
that the life form can perfectly imitate
them. This means that one or more of them could already be the "traitor among
them." Every single action is over-analyzed.
"Where were you the last 30 minutes?", "Clark sure is acting funny...",
"who had access to the blood supply?"
Easily the
most powerful, and intense, segment of the film is the blood test.
MacReady and Dr. Copper devise a way to identify who among them is not
who he appears to be. This scene
is not for the squeamish, but it's an INCREDIBLE ten
minutes of film and a must see in my book, but hey, I am a sick
guy who doesn't mind some bloody terror every now and then.
The original critical
response for The Thing was not kind. Too gory. Too scary. Too
violent. An exercise in excess. John Carpenter was devastated, and his career
would never be the same. This is such a shame for the director who gave us the
films previously discussed, as well as the additional hits:
Halloween
(1978),
The Fog (1980) and
Starman (1984). Kurt Russell, on
the other hand, showcased his ability to play
complex, rougher characters, and his career took off. He would become one of the
top box office actors in the '80's and '90's. His acting range would include
dramas, romances, westerns and even comedies. His work peppers my film lists.
The film's
first success emerged when when it was released on VHS for home
rental (remember Blockbuster Video?) and on cable TV. People loved it, and rented
the graphic horror film over and over. Critics have
since revisited Carpenter's The Thing, now consider it more than
a cult
classic. Empire magazine put in on its
The
100 Best Movies of All
Time, at number 32.
Within its genre, science fiction-horror,
it is considered one of the best ever made.
Onto No. 45... Cubicle Area
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