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No. 8 -
The Searchers (1956)
The Biggest, Roughest, Toughest ...and Most Beautiful Picture Ever Made!
Rated: Not Rated, but
would be rated G (General audiences)
Director: John Ford; Screenplay: Frank S. Nugent;
from the novel by Alan Le May
Starring: John Wayne,
Jeffrey Hunter, Vera Miles, Ward Bond, Natalie Wood, John Qualen, Olive
Carey, Henry Brandon, Ken Curtis, Harry Carey Jr.
Movie Introduction: Ethan Edwards (Wayne) returns
home to Texas after the Civil War. When his brother's family is
attacked by Comanche Indians, he vows to track down his two captured
nieces, Lucy and Debbie, and
bring them home. Accompanying him is half-breed family adoptee, Marty
Pawley (Hunter), whom Edwards dislikes because he carries Indian blood. Eventually, Edwards
and Marty get word that young Debbie (Wood) is still alive. The two
embark on a dangerous mission to find her, journeying deep into Comanche
territory. As the years drag on, the two searchers begin to ponder her
fate.
Defining Moment: white captives
Ethan and Martin have been
searching for the missing Debbie for years. They have chased numerous
dead ends. Finally their search leads them to a Cavalry
outpost, where some white women have been captured from Indian camps. Perhaps Debbie is
among them.
As they inspect the women, who now fully identify as
"Indian", they appear to be childlike, mumbling gibberish, on
the verge of insanity. The
cavalry sergeant volunteers, "It's hard to believe they're white."
At this, Ethan
turns
around for one last glance, and we see the literal hate burning within his eyes. This
is the film's moment where we start to realize Ethan may have other
intentions for Debbie, if and when they find her.
Something subtle you might have missed: a secret
In the film's opening scene,
Ethan returns to his brother's home. Where exactly Ethan has been these
many years after the end of the Civil War is a mystery, but now, he's
back, and the family is glad to see him. Director Ford gives us two
subtle clues that there was a relationship between Ethan and his
brother's wife, Martha. We see it in how he greets her upon arrival.
Then we see it again with her handling Ethan's coat, deep in longing
thought, witnessed only by Reverend Clayton, who wisely chooses not to
make a big deal out of it. Perhaps the Rev. knew about it. Perhaps this
is the reason Ethan stayed away so long. We can only guess.
Memorable Quotes:
"It just so happens we be
Texicans. Texican is nothin' but a human man way out on a limb, this
year and next. Maybe for a hundred more. But I don't think it'll be
forever. Some day, this country's gonna be a fine good place to be.
Maybe it needs our bones in the ground before that time can come." -
Mrs. Jorgensen
"Seems like he never learns
there's such a thing as a critter that'll just keep comin' on. So we'll
find 'em in the end, I promise you. We'll find 'em. Just as sure as the
turnin' of the earth." – Ethan Edwards
Dad's Review:
John
Wayne. I can’t begin to imagine how future generations will judge this
man. He was first and foremost an actor. Most of his roles exclusively
exemplified the iconic American archetype, be it the tall cowboy, the
romantic adventurer, or the self-sacrificing military leader. His roles
were almost always "the good guy". He'd settle his disputes with a fist
or a gun or a grenade. He smoked, and made it look cool. Those piercing
blue eyes and cool stare, coupled with his trademark slow, purposeful
way of speaking, left an impression. Men wanted to follow him. Woman
swooned over him. Then he’d smile, and women wanted to marry him.
He was a top box office draw for three decades, starred in over 80
films. He was a shining symbol Americanism, and old-school Conservatives
loved him. This is ironic because he thought of himself, politically, as
a liberal.
As times have changed, the image
of "John Wayne: American" has lost much of its luster. This is mostly
due to a 1971 Playboy interview, where he shares some really dated views
on people of color, Native Americans and those in the LBGT+ community.
Today, that interview does not play well. It has tarnished his legacy.
There are several articles, YouTube postings and other presentations
that decry the sins of the horrible John Wayne. So much so, that the
John Way Airport was renamed back to Orange County Airport as a result.
I can't possibly defend Mr.
Wayne. But I cannot condemn him either. He was a product of his time,
like so many of our parents and grandparents, and frankly, most of our
country back then. What right do I have no right to judge him or his
generation? All I can do is move forward, and live in my generation with
a more open mind.
Cinematically, however, he had a major impact, and is featured in
several films on Dad's lists. Unapologetically, I grew up in the
southwest, and John Wayne is still revered there. I can tell you that
John Wayne influenced who I am today. The men he portrayed were my role
models; they were fair, honest men I wanted to emulate. They helped
those in need. They sacrificed for the many. These are the values I
still hold today.
Onto The Searchers... This brilliant Western by famed director John
Ford, strives to frame the American West, and its violence, against the
toll it takes on those who inhabit it. The West could be a brutal place
for settlers. People were mostly self-governed. The fear of death was
ever present: stampedes, bitter cold winters, snake bites, fevers. None
were more dangerous than man, be it murdering robbers or raiding
Natives. Many settlers died. Those that survived became hardened to that
life.
It is into this world that we meet Ethan Edwards, a product of the West.
He is the iconic Westerner (the lone wanderer, a leader of men, more
than able to take care of himself, adheres to a strict moral code).
However, Edwards is complex and damaged. The Civil War took a toll on
him. He is a man who has survived a difficult past.
When he returns to his family's ranch, it appears that he's finally
ready to rejoin society, maybe settle down. Then a raiding party murders
his brother's family and kidnaps his two nieces. This severs his last
tether to civilization, and creates within him a rage for revenge. He
will find his nieces and kill those responsible.
The story follows Edwards on his epic search, year by year, to find
those taken from him. The journey takes it toll, and hardens a man
already hard as stone. By the end, the audience starts to wonder what he
will do if he finds his nieces, now assimilated into the Comanche tribe.
What will the end of his odyssey yield?
The Western Myth:
Director Ford and other Hollywood directors presented a version of the
West that is certainly mythical in nature. For example, the film setting
is said to be Texas, however all scenes were filmed in Monument Valley,
Arizona/Utah. Also, Native Americans are mostly portrayed as
whiskey-crazed, murderous savages. Richard Slotkin, a prominent scholar
on frontier myth wrote, "America as a wide-open land of unlimited
opportunity for the strong, ambitious, self-reliant individual to thrust
his way to the top." The frontier hero was created through the
embellished stories about men like Daniel Boone, Dave Crockett, and
Buffalo Bill Kody.
The "Old West" was enhanced, in
many mediums, for the purpose of creating an interesting story and
romanticizing the setting. A serious drawback of this type of
fictionalized storytelling is that it only showcases white American
exceptionalism, and often ignores the treatment the "others": women,
people of color, the poor. Americans are always portrayed as "the good
guys".
History, brutally and honestly,
does not always show that as the truth.
Onto No. 9...Globe of the Gibbons |
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