|
No. 40 -
The 13th Warrior (1999)
FEAR REIGNS
Rated: R (Restricted) for bloody battles and carnage
Director: John McTiernan;
Screenplay: William Wisher, Jr.,
Warren Lewis; based on the novel Eaters of the Dead by Michael Chrichton
Starring:
Antonio Banderas, Diane Venora, Vladimir Kulich, Dennis Storhøi, Omar Sharif,
Richard Bremmer, Mischa Hausserman
Movie Introduction: A Muslim Arabian ambassador Ahmad ibn
Fadlan (Banderas), exiled from his homeland for bedding the Sheik's
wife, finds himself in the company of Vikings. While the behavior of the
Norsemen initially offends him, ibn Fadlan grows to respect the brash
warriors, who are led by the quiet and strong Buliwyf (Kulich). Among them,
Fadlan immediately befriends Herger the Joyous (Storhøi). When
another clan reaches out for help, an oracle chooses thirteen men to
undertake the dangerous mission, however, the last man must be no north
man. All heads turn toward ibn Fadlan - the Arab has been chosen, and he
cannot decline. They travel by ship to a land gripped in the terror
of an ancient evil, whose brutal raids have all but wiped out the Viking
settlers there.
Defining Moment: Herger's
example
The Vikings have reached the
settlement under attack. The king there remembers Buliwyf as a young
warrior and welcomes his help. However the clan leader's son does not want their
aid and plots against them. The
north men need a way
to tip scale, and remove the negative political influences the son might
possess. It is decided that Herger will
pick a fight with the opposition's their biggest man, a burly, massive redhead. Herger dumps mud
on this back and the fight is on. After some amazing
swordplay, it appears that Herger is finished and will certainly lose his
life. However, the crafty little warrior has saved his best for last.
(Watch the full scene on
YouTube. Warning, its ending is graphic.)
Something subtle you might have missed:
beowulf
was here
This film’s plot is very loosely based on the Old English epic poem
Beowulf, written around 1025. Beowulf, a great warrior, comes to aid
King Hrothgar. The monster Grendel and his evil mother are slain by the
hero. In our film here, King Hrothgar enlists the help of Buliwyf. They must
battle the Wendol, and destroy their evil queen.
Very similar indeed.
Memorable Quotes:
"The All-Father wove the skein
of your life a long time ago. Go and hide in a hole if you wish, but you
won't live one instant longer. Your fate is fixed. Fear profits a man
nothing." - Herger the Joyous
“A man might be thought wealthy
if someone were to...draw the story of his deeds, that they may be
remembered.” – Buliwyf
Dad's Review:
At about age 15, and thanks to
my sister Reba, I started
reading her magazines called: The Savage Sword of Conan. These
monthly issues were
the forerunners of today's graphic novels, and they were not for
children. However, the black and white artwork was amazing. Conan was a heroic
figure who spent his time battling monsters, wizards and evil kings and
queens. He was tall, muscular and handsome. He was a superb leader with
an intelligent wit about him. Many of the mag's stories were illustrated adaptations based on
the 17
original Conan stories written by Robert E. Howard in the 1930’s. Howard
was
a young Texan from tiny Cross Plains, Texas, which was a mere 30 miles from my ranch home. At age 30, he took his own life
because his mother died.
Conan is a great fictional heroic figure and I was excited for these
stories to make it film.
Hollywood tried. Twice. Both
efforts, though noble, missed the real essence of Conan. They focused on
the muscles, swordplay and sexuality. Both actors physically looked the
part, but Arnold
Schwarzenegger just could not act at that point in his career, and Jason Mamoa
was directed to portray the hero as only surly and angry. This was most
disappointing.
Then I saw The 13th Warrior, and it instantly hit me. Buliwyf
(pronounced Bull-vie), the story’s hero, WAS Conan – a
strong, capable warrior, but also an intelligent leader. So,
ironically, I would finally find my perfect Conan film, neatly disguised within a Viking
movie.
This film has a number of great aspects. It is presented from the point
of view of an outsider. Ibn is not a Norseman, so he must learn about
them, which helps the viewing audience learn, too. Banderas is perfect as the
Arabian drafted into service on this amazing quest. He earns his chops
and eventually becomes a trusted ally and advisor.
The film also excels at building suspense, and dread, with the revelation
of the threat the Vikings must face. This was a time of superstition, and a fear of the
unknown. Early on, the North men are afraid to even utter the word "Wendol",
an unspeakable, ancient evil. We witness the bloody results of an attack on a
nearby farm house. The bodies have been "gnawed upon". As the camera pans away from the house, we see a
silhouette of a creature, watching from the trees, with an unnatural
form and deep-set,
piercing eyes. What are these creatures? Beasts or men?
This film certainly features a lot of battle and hand-to-hand combat. Yet,
director McTiernan sets aside moments for character development. These
are
small touches, and it makes a difference, thus adding to the film's richness. I particularly enjoy the early
explanations by Omar Sharif, the bro-mance
between Ibn and Herger, and the brief affair between ibn and the
serving girl.
On a final note, this film is
considered one of Hollywood's biggest box office flops. I have no idea
why. There were lots of behind the scenes squabbles between director McTiernan
and writer/consultant Michael Chrichton. Regardless, this film is very,
very good. It is suspenseful, scary, epic, sad and
so very heroic.
Take the time, brave the mild gore and find out the
truth about the 'eaters of the dead!"
Onto No. 41... Honest Mettle
|
|